Claude Arroyo

Kabusi San Serif is a premium font family with 18 different styles to choose from. Designed to aid you in the creation of visually stunning projects of all types. It is the most widely used typeface on the internet, in printed materials, and in other design projects. This Kabusi San Serif font embodies both modernity and classicism while remaining simple and clean in appearance. Apart from their great looks, this premium font family will assist you in giving your company a more unique look that will pay off!

of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Botuna San Serif is a typeface designed by Botuna San Serif. This is a high-end font family with 18 different styles. Designed to aid you in the creation of visually stunning projects of all types. This font is simple to use and integrates seamlessly with any standard software. Your project will stand out with this font!

of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Berona Stripes font family is a variable geometric sans serif based on the solid version of Berona family.

A variable geometric sans serif with a modern display purpose. The dynamic sharp edges makes it ideal to be used in a medium and big scale.

Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text.

Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

Sultan Plain is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts

The font places itself at the boundary between two eras of contemporary typographic design, Between stillness and movement, between past exclusivity and present diversity, between the finite and the infinite.

Although it is like many of the modern Naskh fonts, Sultan Plain has amazing unique energy Which is missing by many of the fonts that we designed since the beginning of the second millennium.

The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses.

The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

Rainesta comes with 7 unique font styles, you can use them according to your project, whether for headlines or taglines. This font is very suitable to be applied to various other formal forms such as websites, ebooks, labels, logos, magazines, books, packaging, fashion, make-up, stationery, labels, or all kinds of advertising purposes.

Features:

7 styles

uppercase & lowercase

numbers and punctuation

multilingual

ligatures

PUA encoded

Thank you.

BEJO is a display font in the Japanese style, with each letter having its own individual personality.

This font is appropriate for a wide range of project demands, particularly those involving Asian features. By utilizing this typeface, you will create a project with a gorgeous, original, and elegant appearance that will be remembered by many people.

Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font.

Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display.

Start utilizing this typeface in your projects to make them stand out.

Present Hogata, our newest font.

A typeface with a Japanese theme and an Asian subtlety is ideal for projects with Asian cultural nuances, as well as all projects that require a different and unique impression while remaining pleasing to the eye. To create a beautiful graphic look, use this font.

Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font.

Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display.

Start utilizing this typeface in your projects to make them stand out.

Suxan is a graffiti typeface with strong, forceful, modern qualities and each letter design is absolutely unique.

Not only is the shape of the letters good in this font, but the harmony and accuracy with which it is used will make your project legendary and sumptuous, so utilize it now.

This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things.

Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding.

Use this typeface right away for your one-of-a-kind and remarkable projects.

Hello, this is Graetboyz - Realistic Graffiti Tag Font!

This font was designed so that users can use it more easily and make graffiti designs easier. Greatboyz is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

Features:

• Uppercase & Lowercase
• PUA Encoded open
• Support for MAC or PC
• Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated)
• Bonus Swash

That's it! If you have any questions don't hesitate to ask!

Stay Classy!

Designed primarily for editorial use, Silva is a superfamily ideal to typographically complex environments requiring a highly versatile typeface. With slightly condensed proportions, generous x-height, moderated ascenders and descenders and robust serifs, it is an extremely readable and economic type. Subdivided in two optical sizes, the family has a total of 26 fonts including italics. Silva has an extensive character set — with extensive language support — that provides both old style and lining figures as well as their respective tabular versions, fractions, various ligatures, small capitals, arrows and a number of different symbols.

Keizer is a serif display typeface freely inspired by the display metal fonts of the early XXth century, reminiscent of those used in cartographic and book design. Its five versions display an open-face, an inline-flared, outline and decorated capitals, and an essential titling high-contrasted serif face. Keizer works well both on print and screen, ideal for book covers, posters and logos. Every weight includes small caps, petite caps, stylistic alternates and a neat set of ornaments.

Hokaplay - Playful Display Font

Hokaplay is a playful display font that creates with a very good concept and adjusted well to keep the legibility. Hokaplay Playful Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals And other Glyphs variation of the OpenType features/ Ligatures.

Hokaplay Playful Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, kid books, custom mugs, pillows, t-shirts, youtube thumbnail/cover, poster quote, editorial design, book/cover Title, website/blog, social media post, packaging designs,, and other designs.

Features;

- 2 Styles; Regular and Rounded

- Standart and special ligatures

- Uppercase, Lowercase, Number, and Punctuation

- Works on PC & Mac

- Simple installations

- Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word

- Fully accessible without additional design software.

- Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡

Caskey is a unique font with a graffiti motif, outdoor activities, and an abstract display with gorgeous graphics.

We put all of it into this typeface, which we dubbed Caskey. We also include alternates, ranging from thin to thick, to make it easier for you to use; you are free to choose whichever suits you best. Now is the time to use this typeface to bring your specific project to life.

This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things.

Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding.

Use this typeface right away for your one-of-a-kind and remarkable projects.

Minigap is a geometric sans serif family that has a minimal height difference between upper and lower case. In other words if you’re into typography, it has a very high x-height... yes, very high.

The choice was made to finally have a typeface that could appear very neat, reducing ascending and descending parts of the glyphs (b, d, g, j, l, ...) that could interfere with the lines above and below. All of that without going to extremes in a unicase style but also without renouncing to a great legibility.

This aesthetic, in fact, translates into a pleasant visual effect that creates well-defined lines and enhances the layout, looking excellent on small screens.

A meticulous optical correction, starting from pure geometric lines, was applied to every glyph, aiming to obtain the best version of each.

The pointed corners of capital letters and numbers have been kept even in the heavier styles, to give consistency to the family. You can clearly see how clean they look.

Stylistic alternates are included:

• “i” and “j” can be set to the x-height, to have a more common aesthetic; by default they are set in the lower version, fitting better the purpose of this typeface.
• a two-story “a” is also available, to give you one more customizable option and extend the range of use.

Minigap is a universal font, versatile by nature, it can work in countless situations. From physical products such as company material, signage and magazines, to digital environments like apps and websites. Very suitable for embracing a corporate rebrand.

It is available in 14 styles (7 uprights + matching italics), has OpenType features and supports multiple languages.

The Regular weight is offered for free, have fun!

Check out other unique fonts by Gravitype here.

Redtone is a Geometric Sans serif font family, a combination of straight lines and perfect circles and sharp edges. this geometric typeface is perfect for every display.

This font has 14 fonts consisting of 7 weight from thin to bold with matching oblique.

Redtone fonts have an extended character set to support Central and Eastern European as well as Western European languages.

This font is a great choice for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title and more.

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics.

It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project.

Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.

The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details.

Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).

• Suggested uses: born to allow you to change the weight of a word without losing the text alignment, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details. Perfect for contemporary branding, web design, packaging and countless other projects;

• 21 styles: 7 weights x 3 different styles + 1 variable font;

• 839 glyphs in each weight;

• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Ordinals, Scientific Inferiors, 7 Stylistic Sets, Subscript, Superscript, Slashed Zero

• 217 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Sake Moru is a experimental display font. Sake Moru is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Outline Version.

This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application.

We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.

We hope you enjoy the font. Thanks and have fun!