Claude Arroyo

Tropical Asian, inspired from the summer vibes and the fun of careless brush and ink play in paper. Perfectly fit for welcoming summer and your casual fun branding projects.

Teamed up with the Stylistic Alternates for each Uppercase and Lowercase letters, Multilanguage Support, and Vector Illustration pack to vibin' up this font.

Rosvard is our new old fashioned typeface. Inspired by vintage signages and brewery emblems. You could feel the vintage vibe on our preview images. Although you could use it to modern design as well. Since our last font just single font. We decide to make another layered font like we did in the past. This one in particular contains Stripe, Outline, Regular, Extrude and Shadow. You could combined all of them of just use two or three of them as you like. We also give you the separate ornaments we used for the preview image as an icon/dingbat font. You could mix and match each part to make your own badge / emblem. Because we believe you could do it.

Germaine™ is a vintage style small caps serif font that works great for logos, packaging, branding, menus, advertising, and posters. From large title headlines to small detailed text, this font stays legible through a wide range of point sizes. The entire lowercase letter set was redrawn with the weights adjusted to be proportional to the capital letters. This font also includes a full set of characters for Western, Central, and South Eastern Europe languages.

Introducing Falkirk Script, a three-font suite that is excellent for product branding, logos, t-shirts, high-end food and beverage labels, and much more. This collection includes the main letter body font (Falkirk Script Bold), an extruded shadow version, and finally a horizontal line engraving version that highlights the upper half of the letters. Stack the font variations in alignment, assign different colors, outlines, and/or gradients to each layer, and you'll see a wealth of versatile design possibilities opening up.

This script has a unique topheavy wedge effect in the lower case, and lyrical old-world script detailing in the capitals. The tapered sweep and simplified ascender design works extremely well in the context of curved arc or arched word designs.

For anyone who prefers to stand out from the crowd, than to go with the flow!

Arpona is a typeface with small wedge serifs and a strong character, ideal for corporate design and all projects characterized by a sense of individualism – for example art, fashion, food, beverage and lifestyle topics.

Arpona is inspired by roman letters carved in stone but otherwise difficult to categorize. It is neither a pure serif nor a sans but rather a symbiosis of different design concepts. Because of its display qualities, Arpona is a good choice for packaging, advertising and editorial design and is well readable even in running text on screen.

The family has nine weights, ranging from Thin to Black plus corresponding italics. Each style includes 590 glyphs supporting all western-, eastern- and central-european languages including four sets of figures and various currency symbols.

For more information visit the microsite: http://floodfonts.com/arpona