Showing posts with label alternate. Show all posts
Showing posts with label alternate. Show all posts

[qmgfu] Download Signatural fonts from Rochart

Signatural

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Give your designs an classy feel! Signatural is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more. A handwritten script font containing uppercase and lowercase characters, numerals, a large range of punctuation, International language, ligatures, stylistic alternate and swashes.


Signatural
Signatural



Signatural


[clgjt] Download Magide fonts from Issam Type

Magide

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Magide is a retro and bold serif font typeface.

This font perfect for branding, Headlines, Retro designs, logos, invitation, watermark and so much more.

Magide typeface comes with Regular, Thin, bold, Black and 2 Outline font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support.


If you have any questions, please feel free to get in touch.

Thank you


Magide
Magide



Magide


[wnzrm] Download Silva Display fonts from Blackletra

Silva Display

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Designed primarily for editorial use, Silva is a superfamily ideal to typographically complex environments requiring a highly versatile typeface. With slightly condensed proportions, generous x-height, moderated ascenders and descenders and robust serifs, it is an extremely readable and economic type. Subdivided in two optical sizes, the family has a total of 26 fonts including italics. Silva has an extensive character set — with extensive language support — that provides both old style and lining figures as well as their respective tabular versions, fractions, various ligatures, small capitals, arrows and a number of different symbols.


Silva Display
Silva Display



Silva Display


[gteqx] Download Bakemono fonts from Zetafonts

Bakemono

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Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.

The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details.

Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).


• Suggested uses: born to allow you to change the weight of a word without losing the text alignment, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details. Perfect for contemporary branding, web design, packaging and countless other projects;

• 21 styles: 7 weights x 3 different styles + 1 variable font;

• 839 glyphs in each weight;

• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Ordinals, Scientific Inferiors, 7 Stylistic Sets, Subscript, Superscript, Slashed Zero

• 217 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük


Bakemono
Bakemono



Bakemono


[kzrcr] Download European Soft Pro fonts from Bülent Yüksel

European Soft Pro

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EUROPEAN SOFT PRO


ABOUT FAMILY:

What makes "European Soft Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals.


"European Soft Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications.


This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects.


The extended, "European Soft Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match.


FEATURE SUMMARY*:

- Variable Fonts*** for countless weight variation**.

- 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black.

- 4 widths: Normal, Narrow, Condensed, and Extra Condensed.

- Matching italics (12º) for all weights and widths .

- Matching small caps for all weights and widths.

- Lining and old style figures (proportional and tabular).

- Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y).

- Unlimited fractions.

- Automatic ordinals (1st, 2nd, 3rd, etc.).

- 24 Dingbats + 19 Social Media and Block Chain icons.

- Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek.

- Extended currency support.


NOTES:

* Some features require OpenType and/or Unicode support.

** Variable fonts work well in software that supports variable font technology.

*** Using "Type > Convert Outlines" when creating PDFs in older versions of "Adobe InDesign" eliminates letter corruption. The definitive solution is the latest "Adobe Version 15.0.2".


You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support.


You can enjoy using it.




European Soft Pro
European Soft Pro



European Soft Pro


[kwdai] Download Weekday Mornings fonts from Bogstav

Weekday Mornings

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"Weekday Mornings" are the 2 first words from the song "Nancy" by Prefab Sprout. Just like the song, the font has a romantic theme and could be considered as "easy listening". Well, I've added 7 slightly different versions of each letter, enough to make the font look like the real handwriting which was the base of the font.

Fun fact: I had this song on repeat when finishing the font. I still do love that song! :)


Weekday Mornings
Weekday Mornings



Weekday Mornings


[uuneg] Download Bertrade fonts from NJ Studio

Bertrade

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Hi...Thank for your visit :)


Bertrade monoline stylish script Fonts are font designs that are made for various vector designs, printing such as digital wedding invitations, blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ...

Bertrade is equipped with complete alternates, so it can make your product look elegant and attractive,

and also Multilingual support!!!


Happy design ...


Bertrade
Bertrade



Bertrade


[qehks] Download Saturday Light fonts from Bogstav

[ueqhy] Download Bonkey fonts from PizzaDude.dk

[qyarn] Download Butter Cookie fonts from Bogstav

Butter Cookie

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Did you ever taste a Butter Cookie that you didn't like? I bet the answer is no. It hasn't happened to me yet.

Actually I did have a butter cookie and a cup of coffee while finishing this font - and it was great! :)

The font, Butter Cookie, is a playful and whimsical comic font. Like magic, the letters change as you type - but that is really not magic, but the contextual alternates...they automatically cycles through the 3 different versions as you type!


Butter Cookie
Butter Cookie



Butter Cookie


Butter Cookie fonts from Bogstav - (yzxlz)

Butter Cookie

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Did you ever taste a Butter Cookie that you didn't like? I bet the answer is no. It hasn't happened to me yet.

Actually I did have a butter cookie and a cup of coffee while finishing this font - and it was great! :)

The font, Butter Cookie, is a playful and whimsical comic font. Like magic, the letters change as you type - but that is really not magic, but the contextual alternates...they automatically cycles through the 3 different versions as you type!


Butter Cookie
Butter Cookie



Butter Cookie


Interite fonts from Eugene Bunin - (biqqm)

Interite

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Interite is an antique font that is based on square elements that give it an unusual look. Square serifs and unusual shapes of ovals create a solid character and make the font fresh.


More language support, ligatures, and alternative characters will increase the font's usability. 450 glyphs, 282 languages of the Latin group, 12 alternative characters, 14 ligatures, a capital set and more than one day spent for kerning-create a great potential for this font.


Text, covers, posters, prints, titles, interfaces, web, book covers, packaging, logos, and much more where you can apply this font.


If you find an error in the font, kerning, or just want to add something or suggest something, then write to me: bunineugene@gmail.com


Interite
Interite



Interite


Billys Rock fonts from Letterara - (vebiz)

Calvino fonts from Zetafonts - (yqgmt)

Calvino

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In designing the Calvino typeface family Andrea Tartarelli set himself the challenge to follow the principles expressed by the Italian writer Italo Calvino in his masterpiece Six memos for the next milleniumExactitude and visibility are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour, lightness and quickness were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of multiplicity was kept central, developing Calvino in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family, Calvino Grande, to provide users with a full typographic palette to cover all editorial needs. Sharing the same formal structure, Calvino Grande sports condensed proportions, sharper details and tighter metrics. Both Calvino and Calvino Grande are complemented with a set of italic letterforms, with differences in design and slant to better work at different point size. All the 34 weights of the Calvino family come with a extended Latin and Cyrillic charset, covering over two hundred languages, and all equipped with a wide range of open type features including positional numeralsalternate forms, and stylistic sets. Four variable typefaces are also included in the full package, for any need of fine-tuning the typeface grade of weight.

Special thanks go to Laurène Girbal for the help in developing the regular weight.


• Suggested uses: Calvino aims to provide users with a full typography palette to cover all editorial needs. Perfect for contemporary branding and logo design, dynamic packaging and countless other projects.


• 38 styles: 9 weights + 9 italics, 2 different styles + 4 variable fonts.


• 779 glyphs in each weight.


• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero


• 203 Languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Lombard, Lithuanian, Tsonga, Jamaican, Dholuo, Galician, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Norse, Slovio (Latin), Volapük.


Calvino
Calvino



Calvino


Dreamy Summer fonts from Letterara - (bxsip)

Dreamy Summer

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Dreamy Summer is a stylish and incredibly elegant handwritten font.

This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!


Dreamy Summer
Dreamy Summer



Dreamy Summer


Archapolago fonts from HIRO.std - (auudk)

Archapolago

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Archapelago is semi casual bold script


This font describes about boldy, stylist, fun and elegant, catchy, dynamic, sporty, readable, easy to use


FEATURES

- Support Opentype Features

- Stylistic alternates

- Swash alternates

- Numbering and Punctuations

- PUA Encoded Characters

- Multilingual Support

- Works on PC or Mac


USE

Archapelago works great in any logotype, magazines, apparel, poster, advertisements, product packaging, product designs, label, and any projects that need semi casual and bold style.


Enjoy using!

Thanks.


HIRO.std


Archapolago
Archapolago



Archapolago


One Crayon fonts from Balpirick - (ojkxn)

One Crayon

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One Crayon is a Playful Handbrushed Font.


One Crayon is a cute and informal display font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project.


One Crayon also multilingual support.


Enjoy the font, feel free to comment or feedback, send me PM or email.


Thank you!


One Crayon
One Crayon



One Crayon


Covenante fonts from Eugene Bunin - (rltjx)

Covenante

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Covenante is an antique font that contains futuristic elements that give it an unusual look. Sharp serifs and unusual shapes of ovals, create a solid character and make the font fresh.


More language support, ligatures, and alternative characters will increase the font's usability. 450 glyphs, 282 languages of the Latin group, 7 alternative characters, 21 ligatures, a capital set and more than one day spent for kerning-create a great potential for this font.


Text, covers, posters, prints, titles, interfaces, web, book covers, packaging, logos, and much more where you can apply this font.


If you find an error in the font, kerning, or just want to add something or suggest something, then write to me: bunineugene@gmail.com


Covenante
Covenante



Covenante


Girabella fonts from Bosstypestudio - (tartp)

Girabella

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Girabella Script is a modern calligraphy font with a dancing baseline and a clean, classic and elegant touch.


It can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirt, letterhead, signage, lable, news, posters, badges etc.Girabella Script features 350 total glyphs with 150 alternate characters including OpenType Stylistic alternates, ligatures and international language support.


To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Also supported PUA encoded, simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).


Girabella
Girabella



Girabella